Artist Research

I have begun my initial research into the medium of print by looking at some artists who are currently working in the field of print, or whose style of painting combines visual elements applicable to printmaking.

I have also started looking at some artists whose subject matter interests me in terms of my own practice.

I like the visual complexity of Michael Landy's work. His materials of oil stick on paper adds a simplicity to the production of the piece. His seemingly chaotic arrangement of objects, and the approach of only depicting the positive and negative space in this image is striking. I especially like the strong contrast of black and white.

Michael Landy "H.2.N.Y. Non-Performance", Oil stick on paper, 2007

This is an excellent example of etching. It is a highly detailed piece which displays several methods of print. This piece is relevant to me because of the subject matter. I hope to produce work based on views of a riverbank and this is a great example of the types of effects achievable through the method of etching.

William Kendridge "Reeds", Etching, aquatint, drypoint, hand-painted paper with further hand work in red/white pastel, 1996

This painting of a flowing river is relevant to my chosen subject matter. The stylised imagery, perspective and the muted tones used could be interpreted in print.

Anthony Whishaw "Downstream Thaw" 2008

Walker's use of nature motifs, plants and trees etc, in her work are striking. The contrast of her flat, black cut-outs and colourful light installations, take both methods to a new, exciting and eclectic place. I find the stylistic approach to natural forms and the use of black very interesting.

Kara Walker "Darkytown Rebellion", Cut paper and projection on wall, 2001

Whilst researching lino printing I came across the work Friedo Howling. She uses this printing method to create strong, land-scape based images. I particularly like the way the process of lino cutting itself is evident in the work. There is no attempt to disguise the slight imperfections in the preparation and printing, this slight "roughness", adds weight and substance to the image.

Frieda Howling "Sculpture in Nature", lino print