Etching 1

Inspiration for this Piece:

I began by looking at flowing water and the photographs I have taken on Castleconnell riverbank. I find the disturbed flowing of the water by the rocks and mini waterfalls very interesting visually and I wanted to capture the movement and textures in these scenes.

The Process of Etching on Photographic Paper:

• I began by outlining in a soft marker, as it does not mark or indent the paper, the composition for this piece.
• Using a darning needle with a good sharp point and a craft knife I begin to draw or more correctly etch the image into the paper.
• I experimented with my tools to create different markings, in order to represent the various textures I was attempting to convey. I used long, almost painterly strokes with my craft knife to represent the flowing water and more scratchy, rough markings using both the needle and knife for the riverbank.
• Cutting out pieces of the paper also created different textures which I hope will create an interesting visual image.

• When the etch is complete the paper and the etching itself must be prepared.

• The cartridge paper, which is better for etching because it is most fibrous and thicker is soaked in a basin of water before being left to dry for an hour in between sheet of newsprint.
• The paper must be still slightly damp but not wet for etching.

• Oil paint mixed with linseed oil is used for etching. Using a palette knife the paint is mixed the the correct liquidity.
• Rolled cotton wrapped in black tape as a tool to apply the paint to the etching is a simple and cost effective home made tool.

• The entire etch is covered in paint, taking care to really work the paint into all the groves and markings.
• Using severally times folded newspaper to wipe the etching with the flat edge of the paper, remove as much paint as possible.

• Place a piece of newsprint on the bed of the printer, followed by the etching, facing up and as close to the roller as possible, followed by the slightly damp cartridge paper and finally with another layer of newsprint for protection of the press.
• Roll the print through once. Do not re roll as this may slightly move the paper or print and cause some disruption of the image.

• Carefully remove the printed image and leave to dry between newsprint with some light weight on top so as to stop warping of the paper.
• Clean the photographic paper carefully with white spirits and a soft cotton lint free cloth.

The Final Print:

I really enjoyed experimenting with the markings, colours and the different effects I have achieved. I really enjoy drawing as a medium and I feel that etching was a very natural progression for me.